The perfect shirt: Margaret Howell on her process
Margaret Howell and Emily Richardson collaborate on new film, The Making of a Shirt
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Margaret Howell documents the intricate process of creating the perfect shirt in a new film, The Making of a Shirt. Produced with filmmaker Emily Richardson, the film follows the steps of creating the garment, from the cutting to the finishing and checking, from Margaret Howell’s workroom in Edmonton, north London.
‘In my teenage years, I enjoyed making my own clothes from paper patterns, but the one thing that was a real challenge was to make a shirt. A shirt has so many strong pieces,’ Howell muses in the short film. ‘You have to halve and quarter to get it to set correctly, and then all these little details – at least two dozen pieces of pattern that go into making the shirt.’
The perfect shirt
Each shirt made in the Unit 7 workroom is created individually by a machinist, whose initials are sewn into the finished piece. The machinist’s detailed work is celebrated with close-up shots of a pair of hands as they go about the intricacies of their craft, with every detail observed, from the creating of the holes for the buttons to the jigsaw-like assembling of the pattern pieces.
‘When you’re producing something, or making something, everything’s important,’ Howell says. ‘Every last detail has to be thought about. The collar has to be notched and sit perfectly on the neckband. It has to be well cut as well as well stitched.’
The resulting pieces adhere to Howell’s relaxed aesthetic, consistent with the traditionally less structured cuts of men’s tailoring for shirts, which are easy to wear and comfortable for both women and men. ‘People are conscious of how they feel in a piece of clothing,’ says Howell. ‘The quality comes through the fabric and the make and then the comfort.’
INFORMATION
The film will be available to view in the Wigmore Street shop, London, and across all Margaret Howell websites from Friday 24 September 2021
Hannah Silver joined Wallpaper* in 2019 to work on watches and jewellery. Now, as well as her role as watches and jewellery editor, she writes widely across all areas including on art, architecture, fashion and design. As well as offbeat design trends and in-depth profiles, Hannah is interested in the quirks of what makes for a digital success story.
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