FRÉDÉRIC SCHNEE
WALLPAPER* ARCHITECTS’ DIRECTORY 2019: Taking an academic approach that applies architectural theory to spatial design, Frédéric Schnee is currently an assistant professor in architecture at TH Köln. His first project, the Peach House (pictured) in Beijing, begins his journey towards a socially oriented architecture that utilises interdisciplinary collaboration.
- (opens in new tab)
- (opens in new tab)
- (opens in new tab)
- Sign up to our newsletter Newsletter
Peach House, Beijing, China, designed by Frédéric Schnee, selected for the Wallpaper* Architects’ Directory 2019 (opens in new tab)
Drawing upon his strong, academic background, young German architect Frédéric Schnee sets the scene for his Peach House design, by discussing urban strategies in modern day Beijing and the way the Chinese capital’s small, independent businesses (known locally, affectionately, as ‘holes in the wall’) and hutong areas were forced to change in the past decade – mostly due to the city’s rapid growth and regeneration plans. ‘The city authorities call it a beautification project,’ explains Schnee.
Schnee’s work includes a stint at Columbia University and a current position as assistant professor at the Institute for Architecture, Construction and Theory in Cologne – and he feels that this research experience helped him to examine the themes touched upon in Peach House in a deeper and more meaningful way.
‘Academic work enables an appropriate reflection on architecture as a practice as well as to deliberate on architectural theory,’ explains the architect. ‘Working outside an office offers space for assuring theoretical knowledge, phenomena and actions to thrive within the sphere of designing and building. From these aspects, methodology, methods and a vocabulary can then be developed.’
For this courtyard residence in Beijing, Schnee is inspired by the traditional local typology of the ‘four beams and eight pillars house, which is widespread in the North and North-East of China’. Examining rural models, the specific building type, the built environment, and the social and historical context, the architect delved into the design process.
‘The Chinese courtyard house 四合 院 (Siheyuan) is typically composed of four pavilions surrounding a rectangular courtyard,’ he describes. ‘The ensemble of pavilions sits within a high wall, which isolates the house from the outside world.’ Working with this architectural heritage, Schnee mixed old and new in this commission for the Liu family.
The design’s most defining gesture was moving the courtyard to the first floor. By lifting it up a level, he created space for both a new courtyard house upstairs and a convenience store on the ground floor – modernizing a series of existing self-build structures on site and bringing the complex to the 21st century, according to the current owners’ needs. Meanwhile, the internal layout model was planned according to the principles of Feng Shui.
Schnee sees housing as part of the wider, urgent social and urban conversation, that he believes should be cross-disciplinary: ‘Rents and house prices have risen for years – especially in growing cities and regions of Europe. Affordable housing is becoming increasingly scarce, and lower and middle income groups in particular are burdened by high housing costs. Young architects must propose designs for social and political solutions, and architectural practices should develop alongside experts from science, politics and social movements to address problems.’
INFORMATION
fredericschnee.com (opens in new tab)
WALLPAPER* ARCHITECTS’ DIRECTORY 2019 (opens in new tab)
Ellie Stathaki is the Architecture Editor at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018) and Glenn Sestig Architecture Diary (2020).
-
Cerith Wyn Evans: ‘I love nothing more than neon in direct sunlight. It’s heartbreakingly beautiful’
Cerith Wyn Evans reflects on his largest show in the UK to date, at Mostyn, Wales – a multisensory, neon-charged fantasia of mind, body and language
By Harriet Lloyd-Smith • Published
-
Nifemi Marcus-Bello is the Nigerian designer shaping Africa’s designscape
Among Wallpaper’s ‘Future Icons’, Lagos-based designer Nifemi Marcus-Bello speaks of creating a local manufacturing network and documenting design production in Africa
By Ugonna-Ora Owoh • Published
-
Luxury loungewear brands to hibernate in this winter
As days get shorter and temperatures drop, we present the best loungewear for luxuriating in this autumn and winter, from brands including Loro Piana, Raey, Extreme Cashmere and more
By Tilly Macalister-Smith • Published